Two recently “fired” NASA “officials” have revealed the best-kept secret of the US government that had been kept “safe” for forty years, saying that there are traces of constructions on the Moon.
Earth’s Moon has always been a much talked about subject and speculation about what it may have always been present. We have always wondered why we have not been to the moon recently; we have all seen the mysterious images of the moon that appear to show strange constructions on the surface of the moon yet no one has reached and explored the possibilities thoroughly.
As revealed by the Russian newspaper Komsomolskaya Pravda, Ken Johnston, former Manager of the Data and Photo Control Department at NASA’s Lunar Receiving Laboratory during the manned Apollo Lunar Program and Richard Hoagland, a former consultant to NASA, uncovered the secret at a conference held at the National Press Club in Washington. Both of them were involved in the Apollo missions, Hoagland in particular, who presided the Apollo moon landing transmission on television.
Skeptics have already attacked both Johnston and Hoagland suggesting that they have little to none evidence that can support their claims. But is there a chance that they might be right? And that there is something happening on the moon?
Johnston confirmed that, in the 70s, American astronauts saw and recorded “vestiges of human constructions of antiquity” on the moon and photographed some of the technological evidence found on the surface. After the astronauts had brought back the images of Earth, they were handed over to Johnston, responsible for the conservation of the images. Even though some officials had ordered Johnston to destroy the images he kept them as a secret. Nearly forty years after, Johnston decided to publish these pictures. He accused NASA of editing original pictures of the Moon and replacing them with fake images where the structures on the moon had been erased.
The official photos underwent special treatment and, particularly those of the moon landing, which were eventually modified. According to Hoagland, the Apollo mission astronauts even brought back physical evidence of extraterrestrial technology, advancements that have already been incorporated and are used by countries such as the United States, Russia, China, India, and Japan. The United States astronauts brought back from the moon, clear evidence of structures, and items.
Johnston believes that a new round of struggle will have its outcome and, unlike political competition with Russia 50 years ago, this result will decide the fate of each and every human being on Earth. Hoagland stated clearly that besides the truth hidden on the Moon, there are several pieces of evidence that point to the existence of life and traces of life on the red planet. Adding to the mystery, packages 698,699 and 700 where the moon landing records were kept have vanished from sight.
Whether these two individuals are right about their theories and are telling the truth is something that we will perhaps, not known. But we have to accept for a fact that the moon missions have been, since the beginning, surrounded by numerous enigmas. Why we have not been to the moon recently is another quest that nobody seems to address.
Large quantities of mercury found under ruins of Ancient Teotihuacan.
Mexican archaeologist Sergio Gómez and his team have discovered liquid mercury at the end of the tunnel below the Pyramid of the Feathered Serpent, the third largest pyramid of Teotihuacan.
As you enter the tunnel of the Pyramid of Quetzalcoatl in Teotihuacan, the temperature drops as you descend through the tunnel, the moisture is notable in the inside and the wooden floor makes it possible to walk through the muddy ground. According to Mexican archaeologist Sergio Gómez, the builders wanted to recreate the outside world so they dug until they came in contact with water, mimicking the rivers of the outside.
A view of Teotihuacan. Image Credit: Shutterstock.
In the vicinity of the entrance, a mysteriously looking “fireplace” connects with the outside. Archaeologists speculate that this fireplace could have been used as some sort of observatory two millennia ago. The tunnel was discovered by chance when in 2003, the entire place was flooded during restoration works, allowing archaeologists to discover the mystical tunnel. GPR and laser testing gave the researchers an idea of the entire structure. A small robot was introduced to explore the cracks and provide further information to researchers. Similar exploration with the use of robots was done in Egypt, though on a much smaller scale.
The goal of the exploration of the tunnel was to understand what the ancient builders wanted to hide so badly with walls up to 25 tons of Earth and rock. According to archaeologists, the ancient builders had opted the tunnel once in the past, probably to place something inside. Since then, the tunnel remained sealed for almost 2000 years. No one had entered or seen the interior of the tunnel.
The tunnel’s ceiling was very interesting as it had traces of metal powder that reflects light in a curious patter, almost as if mimicking the night sky. In ancient times, when entering the tunnel with torches, the metal dust shined just like the stars. Researchers believe that these traces are pyrite or magnetite remains elements not found in the region of Teotihuacan. These metals were brought from somewhere else to paint the ceiling of the tunnel.
150 meters below the temple of the Feathered Serpent, researchers discovered 50,000 mysterious objects, ranging from animal bones, batons to metal spheres. The descent through the tunnel resembles the entrance to a mine, but the surrounding objects and mysterious ceiling resemble the journey to the underworld, in an enigmatic city that flourished between II and V century AD, 50 kilometers northeast of Mexico City.
Mexican archaeologist Sergio Gomez and his team, looking for a royal tomb in the deep, dark tunnel beneath the pyramid built before the Aztec empire discovered a clue that would bring him closer to their goal: discovering liquid mercury. During their search, the team led by Gomez discovered a large amount of silvered metal at the end of the sacred tunnel that remained sealed for 1800 years.
Many researchers firmly believe that the toxic element could be a clue that will provide more insight about the tomb of the first ruler of Teotihuacan, home to a mysterious ancient civilization that predates the Aztecs, which still remains a mystery as researchers do not have a name for them.
Speculations regarding traces of mercury have been countless. Gomez believes that the metal could have been used to represent a river or lake of the underworld, even though ancient astronaut theorists suggest that there could have been a more “technological use” to mercury.
Traces of mercury have been previously found in small amounts in a couple of Maya sites farther south, but it has never been found in Teotihuacan until now.
Mercury is an element very difficult to extract, appreciated for its refracting properties, it is used numerous appliances today. Mercury was uncommon in ancient Mexico and some researchers believe that its features could have given supernatural features to its rulers.
What use could the ancient inhabitants of Teotihuacan have for Mercury and Mica?
Mercury is a heavy, silvery-white metal. As compared to other metals, it is a poor conductor of heat, but a fair conductor of electricity. Mica is an excellent conductor of electricity. Mercury is the only elemental metal known to melt at a generally cold temperature.
The Cave Paintings of Tassili n’Ajjer depict mysterious creatures with helmets gloves and strange suits.
According to many researchers and the ancient astronaut theory, the mysterious cave paintings of Tassili could prove to be the best evidence of extraterrestrial beings present on Earth in the distant past. The incredible cave paintings are found in the Tassili Plateau, southern Algeria in the arid desert of the Sahara. Tassili n’Ajjer means ” Plateau of the Rivers.”
Around 8000 BC, ancient people of Africa represented their everyday lives through the cave paintings, among animals, plants, the ancient people also depicted strange beings that are unlike anything in the region. Researchers have cataloged over 5000 cave paintings, even though they believe that there were much more in the past.
Through these paintings, researchers speculate that the Sahara region was completely different 4000-6000yearss ago; it was a region overflowed with life.
According to researchers, the cave paintings of Tassili, are one of the most important ancient collections of rock art known today; regrettably, only 20% of them remain visible as the majority of these incredible cave paintings have been destroyed by erosion. Experts believe the cave paintings to be between 10,000 and 15,000 years old. Experts suggest that cave paintings of that time were usually done with a single shade of color, the Tassili cave paintings, however, used several colors which make them even more special to history.
There are countless species depicted in the caves; among them are giraffes, ostriches, elephants, oxen, alligators and even hippos; demonstrating that the Sahara region was full of life in the distant past.
There are many interesting details about the cave paintings of Tassili; nomadic people assert that these caves are an ideal living environment even today. According to the depictions, rivers, jungles, animals and numerous plants were not foreign to the area, experts suggest that they might have been located in the vicinity of the caves. The painting also seems to reflect a pattern of occupation in the caves with different activities performed by the ancients in specific historical periods. Hunting and Fishing around 7000 BC, animal husbandry around 4,000 BC and horse domestication around 1.500 BC.
There are numerous mysterious surrounding the ancient inhabitants of the Tassili Caves. Archaeologists have not been able to find burial sites in the area, but the most incredible feature are perhaps the mysterious depictions of strange beings with helmets and suits, resembling modern-day astronauts according to many researchers.
These mysterious depictions have fueled debate among researchers. Why would they depict; rivers, jungles, and animals native to the region in the past, and then depict something that they did not see (according to mainstream archaeology): the strange humanoid figures with helmets and suits? The ancient people of the Tassili Caves portrayed their everyday life and their experiences; they did not invent these humanoid figures, which in some cases, are even depicted with mysterious antennas on their helmets.
Is it possible, as ancient astronaut theorists suggest, that the natives of the Tassili Caves depicted the ancient astronaut that visited them in the past 10,000 years ago? According to many researchers, it is a possibility.
In 1976, a Spanish expedition traveled to the Sahara to investigate the mysterious cave paintings of Tassili. After analyzing the numerous cave paintings, the Spanish researchers concluded that Extraterrestrial beings regularly visited Earth in the distant past and that extraterrestrial beings had regular contact with the ancient inhabitants of the region. According to them, one of the cave paintings illustrates several women being taken to a mysterious looking craft.
Next to some of the symbols, researchers have identified a set of symbols which has led experts to speculate that some sort of writing system existed in the area 5000 years ago. This was something mainstream archaeology has a hard time accepting since it changes their official thesis suggesting that Mesopotamia is the cradle of civilization and writing.
The mysterious beings with gloves, boots, and helmets are also seen in the Azyefú, Ti-n-Tazari, and Sefar region.
Many believe that the cave paintings of Tassili are evidence of beings who visited making in the distant past. Sky beings who came to earth thousands of years ago and left their mark in history through the stories and decisions of ancient civilizations worldwide.
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One of the best recorded UFO sightings in history according to many ufologists happened in 1561 over Nuremberg, modern-day Germany. Hundreds of people witnessed strange flying objects in the sky with a technology foreign to our very own today. It is believed to be one of the best-recorded Mass-Sightings in history.
Hundreds of years ago the little knowledge mankind had about star and planets was more connected with astrology than with science. Our understanding back then was not expanded as it is today, where we know that there are thousands of Earth-like planets in the universe and that most of them have the ability to sustain life as we know it. Today we know almost for certain that there are other lifeforms that inhabit the universe, and it is very unlikely that we are the only intelligent species around. Hundreds of years ago, people probably never suspected that there could be extraterrestrial life elsewhere in the universe.
How would it have been for people in the 1560’s to witness a UFO encounter? How would people back then have interpreted a sky full of strange objects waging a war in the “heavens”? It was a mass sighting that was even recorded in the local newspaper. According to accounts, the UFO’s even crashed and burned in the surrounding areas of the city.
The day was April 14th, 1561, people left their homes to go about their everyday activities, but when they looked towards the sky, they saw something terrifying and unexplainable, as dozens of strange crafts were flying above the city. Reports say that the objects had several different shapes, some of the objects were cylindrical shaped UFO’s, disk-shaped UFO’s and several smaller spheres.
The local newspaper from Nuremberg gave the following description of the events over the city:
“In the morning of April 14, 1561, at daybreak, between 4 and 5 a.m., a dreadful apparition occurred on the sun, and then this was seen in Nuremberg in the city, before the gates and in the country – by many men and women. At first there appeared in the middle of the sun two blood-red semi-circular arcs, just like the moon in its last quarter. And in the sun, above and below and on both sides, the color was blood, there stood a round ball of partly dull, partly black ferrous color. Likewise there stood on both sides and as a torus about the sun such blood-red ones and other balls in large number, about three in a line and four in a square, also some alone. In between these globes there were visible a few blood-red crosses, between which there were blood-red strips, becoming thicker to the rear and in the front malleable like the rods of reed-grass, which were intermingled, among them two big rods, one on the right, the other to the left, and within the small and big rods there were three, also four and more globes. These all started to fight among themselves, so that the globes, which were first in the sun, flew out to the ones standing on both sides, thereafter, the globes standing outside the sun, in the small and large rods, flew into the sun. Besides the globes flew back and forth among themselves and fought vehemently with each other for over an hour. And when the conflict in and again out of the sun was most intense, they became fatigued to such an extent that they all, as said above, fell from the sun down upon the earth ‘as if they all burned’ and they then wasted away on the earth with immense smoke. After all this there was something like a black spear, very long and thick, sighted; the shaft pointed to the east, the point pointed west. Whatever such signs mean, God alone knows. Although we have seen, shortly one after another, many kinds of signs on the heaven, which are sent to us by the almighty God, to bring us to repentance, we still are, unfortunately, so ungrateful that we despise such high signs and miracles of God. Or we speak of them with ridicule and discard them to the wind, in order that God may send us a frightening punishment on account of our ungratefulness. After all, the God-fearing will by no means discard these signs, but will take it to heart as a warning of their merciful Father in heaven, will mend their lives and faithfully beg God, that He may avert His wrath, including the well-deserved punishment, on us, so that we may temporarily here and perpetually there, live as his children. For it, may God grant us his help, Amen. By Hanns Glaser, letter-painter of Nurnberg”. (Source: Colman S. Von Kevicsky, “The Ufo Sighting Over Nuremberg in 1561” Official Ufo January 1976, pp. 36-8, 68. The translation is by Ilse Von Jacobi.)
What were the mysterious objects that invaded the sky over Nuremberg? Today, there are several theories about the phenomena, most of them are connected to extraterrestrial beings.
What are the odds that the skies over Nuremberg did in fact witness a mass UFO sighting? According to reports; Some of the UFO’s were definitely made out of some sort of metals, as people described them as “flying gun barrels”. Other objects were described as “huge black spears”, traveling at great speed across the sky.
The Battle over Nuremberg lasted for about one hour as people watched a never before seen battle in the sky. After the battle concluded, the remaining UFO’s disappeared flying towards the sun.
The mysterious objects that was discovered at the bottom of the Baltic Sea in the summer of 2011 seems to attract more attention than ever. The discovery of the strange object located at the bottom of the Baltic sea has a diameter of approximately 60 meters. It has a strange oval-shaped formation, but most importantly, behind the object a strange trail was identified suggesting that this object might have in fact crashed into the bottom of the sea remaining in a perfectly still in place where it is even today.
According to reports, a team of researchers from the Ocean X group said that their electronically device were switched off automatically when their ship passed in the vicinity where to object is located. There have been many different options regarding the so-called “Baltic Sea Anomaly”. While some believe there is a mysterious origin to this object, others believe its simply a “nice” looking rock, at the bottom of the ocean.
Many people who have seen the images of the object believe it might actually be a crashed UFO. According to some members of the Ocean X team, there is a visible underwater trace that could have formed as a result of the object crashing, thus leaving a trail behind it. Other theories claim that the object is a submarine base, since it closely resembles the bases built by the UK and Germany during World War II. Yet there are numerous other theories that range from the above mentioned to ancient ruins of prehistoric civilizations. Strangely all the theories might be correct. The most mysterious part of the investigation is why the electrical components of Ocean X were shut down when they approached the area where the object is located.
Many experts have dismissed the possibility that it is just as an unusual formation on the seabed.
Both Denis Åsberg, as Peter Lindbergh, divers of Ocean X, said the object cause disruption and constant interference in electronic equipment when approaching, unusual if the mention object is just a rock as many believe. The two Ocean X divers highlight the diameter of the object which is 60 meters, while stating that the object has an unusual stepped structure that joins at the platform of the object. Lindberg has said that in his diving experience, which is over 20 years, he has never seen anything like this mysterious object.
In an interview with Fox news, Lindberg said: “The surface is cracked, three is a black material that fill the cracks but we are unsure what this material is.”
According to Ocean X members, the mysterious disc shaped object has some sort of opening at the top with other strange details on the surface.
The mission that aimed on finding shipwrecks in the Baltic turned out to be one of the most talked about discoveries in the recent years when Ocean X discovered the mysterious structure and its “crashing trail” in the Baltic Sea. The poor visibility in the ocean has made it impossible to accurately photograph the object.
According to reports, this is only one of the many mysterious findings that the team has made on the site, most of which are still under the control of the television company that financed the expedition.
https://www.youtube.com/watch?v=kj1_nH_oK7w
The mystery around the Baltic UFO, as some call it, continues, we hope that all the information regarding this anomaly will be released to the public so we can understand what the original and purpose of the Baltic anomaly are.
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According to some researchers that challenge conventional theories about the mysterious Wandjina cave paintings: These depictions could be, over 100,000 years old.
In Kimberley, Australia, in 1838, numerous cave paintings were discovered that shuck the archaeological community. Some of the paintings that are called the Wandjina are surprisingly large, reaching up to 6 meters in height. The Kimberley regions is a remote area in Australia, sparsely populated and visited but with large rivers and magnificent views of beautiful reddish tones. Among the cave paintings found in the region, the biggest depictions measuring up to six meters in height, has caught the attention of researchers who have already suggested several theories about who their creators were.
The natives of the region called these strange figures as the “wandjinas”, who were celestial beings that brought civilization and prosperity to the people. Curiously, like many other ancient civilizations worldwide, the “wandjinas” symbol was a feathered serpent. The cave paintings depict curious beings with sandals, something that has caught the attention of researchers since the native population of the region are barefooted. The beings in the cave paintings are also depicted with strange-looking toes varying in number from three to seven toes.
The wandjinas are represented as creatures that do not have mouths, they are depicted as having big black eyes, white faces and halos surrounding their heads. Some believe, the wandjinas are representations of extraterrestrial beings hat visited humans in the remote past.
These mysterious paintings have received all kinds of interpretation: strange representation of human beings, gigantic owls, down to the theory of Ancient Astronauts, as beings who visited Earth in the distant past. This theory is actually widely accepted among the population and even the natives. Many people believe that aliens had a direct role in the creation of the world and aboriginal legends tell of truly extraordinary events that occurred in the past.
One of the most interesting facts about the Wandjinas is the style their creators used to represent them. Some would immediately point towards the resemblance to the stereotypical image of an extraterrestrial being. A Grey alien. This is the main reason why many people wonder what was the creators these cave paintings depicting the Wandjinas were made in such a mysterious way. Why are their eyes totally disproportional when compared to their nose and face? Why do these beings lack out, and most importantly, why are they painted with white color?
All of the paintings seen in the caves are strikingly beautiful, but one of those paintings is particularly interesting. The depiction of a being dressed in a pinkish robe with a double semicircle around his head is one of the most visited paintings. Curiously this creäture is depicted with some sort of inscription with 6 numbers or letters in a completely unknown alphabet to researchers. Their legends and origins are incredible.
The tradition of the Wandjina are s incredible as the depictions. It is an oral tradition handed down from generation to generation. The natives see the Earth as the great serpent Ungut. The Milky Way looks like another serpent, called Wallanganda. These two snakes led to the creation of all living creatures on Earth, including the ancestral spirits of indigenous Peoples and the Wandjina who brought rain and fertility. According to aboriginal mythology, it is said that the Wandjina are the spirits, or also called the gods, who lived during the period of creation. After the Wandjinas were created, they came down to our planet from heaven in the Time of Dreams traveling through the region, roaming the lands. According to the artist Mowanjum Mabel King, during the Lai Lai (Time of Creation or of Dreams), Wallungunder, the “Great Leader” Wandjina, came from the Milky Way to create the earth and all its inhabitants. The Wandjina are deeply connected with the heavens according to most indigenous tribes.
According to aboriginal mythology, the Wandjina came from the clouds, returning to them in the same way. After they completed all of their tasks on Earth, they disappeared into the rocks. When they left Earth through the rocks, the images of them stayed portrayed on top of the rocks. Some tribes also say the Wandjina have returned to the heavens, and that now you can see them at night as lights traveling through the sky.
How old are these paintings?
The age of the cave paintings has fueled several different views among researchers. At first, researchers thought they might never know the exact age of the paintings since carbon dating can only be performed on organic material and the paintings of the Wandjinas were made with mineral pigments.
According to some, the cave paintings are at least 17,000 years old. Researchers were able to date these paintings thanks to the fossils found on top of their surface, but many other researchers do not agree with these theories suggesting that the Wandjina cave paintings are much older. According to other researchers, there have been many tools and human remains discovered in the area, the tools and human remains date back at least 100,000 thousand years, challenging the conventional theories regarding indigenous people in Australia and the origins of these mysterious beings.
“[The DOJ] will not tolerate actions that endanger law enforcement and make their jobs harder than they already are, as they work to protect us all,” Acting Deputy AG Emil Bove stated
