The Coricancha (in Quechua: Quri Kancha, ‘golden temple’) is a political, and religious Inca temple of the geographic center of the city of Cuzco, in Peru.

The word Coricancha (also written as Qorikancha) is formed by the union of two Quechua words: “Kori / Cori” which means gold and kancha / court, temple or enclosure.

According to researchers, the original name was “Intikancha”, and is related to the God Inti and the golden color of its interior, referring to the sun.

It is not clear exactly in what year the construction of the temple began, but it is speculated that it dates back from the period of the Ayamarcas.

In the year 1438, when assuming power the ninth Inca, Pachacuteq, remodeled the entire city, and later renamed the temple to Qorikancha (which is the current name).

According to the Inca conception, the Qorikancha was the religious, geographic and political center of Cusco, and was so imoprtant that Garcilaso de Vega and Cieza de León, describe it as the temple “covered in gold”: Its floors and walls, including the garden, had animals and plants of real size, made of pure gold.

The temple, the materials, and the technique are very similar to that of Sacsaywamán or Machu Picchu, except that here the Megalithic style is not so heavily presented. Here we see an imperial style with regular rigging in parallelepipeds; the predominant element is the andesite stone.

The remnants of Coricancha are considered a marvel of Incan architecture.

In fact, experts to this day are unsure as to how the ancient Incas managed to create such perfectly shaped walls.

Modern engineers say the precision of the stonework rivals that being produced today with advanced machining.

However, the Inca weren’t the only ancient civilization to achieve such building proficiency.

If we travel some 6,500 miles at the other side of the world, in Giza, Egypt, we see the same signature building techniques at the Valley Temple next to the Sphinx.

Coincidence? I wouldn’t say so. Rather the same blueprint.

Imagine for a second standing in front of the Sphinx temple in Egypt while observing the incredible ruins of the ancient temple. Then–imagine–you close your eyes and when you open then, you end up at the Coricancha temple in Cusco. The styles are so similar that if you did not know where you were standing at a precise moment, you couldn’t tell the difference between the two, due to the fact that the building styles of those two temples are eerily similar.

The similarities between the two temples tell a story that most of us have failed to hear.

Both temples feature incredible blocks fitted together so tightly that you cannot fit a single sheet of paper in between them. However, as noted by many researchers and authors, what makes these temples even more fascinating is the size of the stones used in their construction.

In fact, some of these blocks are so large that even engineers today would struggle to put them into position.

The limestone blocks at the Valley Temple are estimated to weigh around 200 tons each.

Somehow, the ancient builders managed to lift these massive stones and place them with incredible precision to hights of around 40 above the ground, or the height of a four-story building.

Interestingly, this was not merely accomplished at these two sites. There is ample evidence of similar sites around the globe.

Across the globe, ancient cultures chose repeatedly, to build similar awe-inspiring blocks fitted together with such a precision that modern-day engineers are left awestruck, and all of that using supermassive stones and most important, without the use of mortar.

YouTube Video Here: https://www.youtube.com/embed/1eBg1qUecyk?feature=oembed&enablejsapi=1

The Battle of Los Angeles, also known as The Great Los Angeles Air Raid, is the name given by contemporary sources to an incident in Los Angeles, California, in which, after city-wide alarms went off due to an alleged enemy attack, the US antiaircraft defenses touched off a massive barrage of anti-aircraft fire, with some 1400 shells shot into the skies over Los Angeles during the frantic evening.

The incident occurred less than three months after the United States joined the Second World War as a result of the attack on Pearl Harbor by the Imperial Japanese Navy, and a day after the Ellwood Bombing on February 23.

Initially, it was thought that the barrage of anti-aircraft fire was in response to an attack from the Japanese air force, but speaking at a press conference shortly afterward, US Navy Secretary Frank Knox described the incident as a “false alarm”.

The newspapers of the time published a series of reports and speculated about cover-ups.

Some ufologists have had even claimed that a massive barrage of anti-aircraft fire did not target Japanese bombers, but alien spaceships.

But, as it seems that all ‘good UFO sightings’ are nothing more than weather balloons, in 1983, the United States Air Force History Office attributed the event to a case of “nerves of war” likely triggered by a lost weather balloon and exacerbated by stray flares and shell bursts from adjoining batteries.

Representative Leland Ford of Santa Monica called for a Congressional investigation, saying, “…none of the explanations so far offered removed the episode from the category of ‘complete mystification’ … this was either a practice raid, or a raid to throw a scare into 2,000,000 people, or a mistaken identity raid, or a raid to lay a political foundation to take away Southern California’s war industries.”

However, based mainly on an image, published in the Los Angeles Times on February 26, 1942, Ufologists around the globe believe that the US military did not shoot at a weather balloon or Japenese bombers on the late hours of 24 February to early 25 February, but a real saucer-shaped UFO.

Ufologists assert that the photo clearly shows searchlights focused on an alien spaceship.